|
Area Rugs | How It's Made
Being familiar with area rug construction also helps you understand and evaluate performance aspects: why certain rugs wear better and longer. Understanding how area rugs are created help you better determine rug value and keep you inside the borders of your budget.
Machine made
- less expensive
- not considered investments
- more flexibility and variety
- woven rugs created on automated weaving looms
- elaborate designs created by placement of different colors of yarn
Man made
- handmade (also called hand knotted)
- custom-made
- one-of-a-kind designs
- incorporate creative, brilliant uses of color
- unique details and intricacies in each due to the village, city or country of the creator
- often created with natural dyes for color longevity
- considered an investment
- many become heirlooms
- ancient and unique process
Elements that tie any handmade rug together
WEAVE
- technique used in making handmade rugs
Three major techniques: pile weave, flat weave and hand-tufted
Pile Weave
- method of weaving used in most rugs
- rug is woven by a creation of knots
- different weaving groups use different types of knots
- every single knot is tied by hand
- can consist of 25 to over 1000 knots per square inch
- skillful weavers tie knots in about ten seconds (meaning it would take a skillful weaver 6,480 hours to weave a 9x12-foot rug with a density of 150 knots per square inch)
- time reduced with workshops or multiple weavers
Flat Weave
- technique of weaving where no knots are used
- warp strands used as the foundation
- weft stands are used as the foundation and in the patterns
- called flat weaves since no knots are used in the weaving process and the surface looks flat
Hand Tufted
- created without tying knots into the foundation
- pile height determined by amount of yarn cut off
- less time consuming than hand-tying each knot
- requires a high level of craftsmanship
- can be made faster than hand-knotted rugs
- generally less expensive than hand-knotted
- highly durable and accurate
- weathers foot traffic for years
KNOT
- woven by tying knots on the warp strands
- two predominant types of knots: asymmetrical and symmetrical
Asymmetrical (Persian or Senneh) Knot:
- used in Iran, India, Turkey, Egypt and China
- to form, yarn is wrapped around one warp strand and then passed under the neighboring warp strand and brought back to the surface
- creates a finer weave
Symmetrical (Turkish or Ghiorde) Knot:
- used in Turkey, the Caucasus and Iran by Turkish and Kurdish tribes
Knot Density:
- refers to the number of knots per square inchor square decimeter in a handmade rug
- measured in the imperial system in square inches and in the metric system in square decimeters
- KPSI is sometimes used to indicate value
- higher the number of knots per square inch, the higher the quality, and price
DYES/DYING
- process of changing the natural color of materials such as wool, silk and cotton
- two types of dyes: natural dyes and synthetic dyes
Natural Dyes:
- natural dyes only used until late 19th century
- include plant dyes, animal dyes and mineral dyes
- plant dyes come from roots, flowers, leaves, fruit, and the bark of plants
- woad, (plant of the mustard family and indigo, a bush from the pea family, used for blue dye
- yellow is produced from saffron, safflower, sumac, turmeric, onionskin, rhubarb, weld, and fustic
- Madder, Redwood and Brazilwood has been used since ancient times for reds
- browns and blacks come from catechu dye, oak bark, oak galls, acorn husks, tea, and walnut husks
- henna is used for orange
- for green, indigo, over-dyed with any of a variety of yellow dyes, is used
- mineral dyes come from ocher (yellow, brown, red), limestone or lime (white), manganese (black), cinnabar and lead oxide (red), azurite and lapis lazuli (blue), and malachite (green)
Synthetic Dyes:
- mid-nineteenth century, when demand for handmade rugs increased in the West, production increased in the East
- need for easy-to-use and less expensive dyes with a wider range of colors caused development of synthetic dyes in Europe
- synthetic dyes imported to Persia (Iran), Anatolia (Turkey) and other Eastern countries
- first synthetic dye, Fuchsine (a magenta aniline), was developed in the 1850s
- other synthetic aniline dyes followed, later banned by the Persian king
- Persian weavers discontinued the use of synthetic dyes until the modern synthetic chrome dyes developed between World Wars I and II
- chrome dyes are colorfast, retain their intensity and are produced in a variety of attractive colors and shades
- mostly chrome synthetic dyes are used for coloring weaving yarns
- natural dyes are used in places where they are easily obtainable
|